We would tilt them toward the crowd and remove the laptop from the equation. This was right around the time iPads came out, or right before iPads. So we started taking these touchscreen controllers at the time called Lemur, which are not even around anymore. We wanted to actually play music like a rock band, and have the live performance aspect on stage. Collaboration has always been in the DNA of what we do.Īt one point, we wanted to figure out a way to perform electronic music but not with instruments and keyboards, and stuff like that. Then at some point, we decided to make original music, and then it continued from there. So we started by connecting our computers and having a sort of DJ jam-out. The way that we came together as a group was that we were individual DJ’s, and we decided to play at the same time. Justin Boreta: I’ll give you a brief bit of context here. He discussed how the band’s latest album entered virtual reality, the group’s influences as “children of music technology,” and why they think Windows-based hardware is better than Apple’s.ĭigital Trends: Explain to me exactly what this spaceship-looking stage design called The Blade 2.0 is and who came up with the idea? How is it an improvement on 1.0? I streamlined my PC VR setup, and now I use it more than everīoreta spoke with Digital Trends after Glitch Mob brought The Blade 2.0 to this year’s Governors Ball Music Festival in New York City. Here’s why Apple’s VR headset may become an ‘expensive flop’ This micro-LED advancement is exactly what AR and VR needs
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